
The scene at International Stone Sculpture Symposium
International Stone Sculptors Symposium in Goa
Goa's well known painter Querozito de Souza organized the International
Sculptors Symposium at Surla, Goa recently.
It was attended by several sculptors from Germany, Japan, USA, Yugoslavia and
India. Harald Thomas, Michael Zwingmann, Miyauchi, Mabuchi, Jesus Morales,
Boris, Yamaya, Ravinder Bharadwaj, Wilfred Behre, Sukhjeet Singh and Querozito
de Souza.
Goa-World.Net Team introduces these fine artists at work in Amchem Goem.
(Exclusive Pictures & Text: Goa-World.Net Team)
click on the thumbnail images for larger ones
Boris from yugaslavia - Harald from Germany - Jesus Moroles from Texas
Mabuchi Hiroshi Japan - Michael from hannover - Miyauchi From japan
Ravinder From ganganagar India - Yamaya fro japan - Querozito Goa India
Wilfried from Germany - sculpotors at work
Sculpting at Surla
The Backwoods, a bird watching centre lodged deep in the forest at
Tambdi Surla
beside a gurgling rivulet, was at full chirp which mingled with the sound of
stone being chieselled by a dozen sculptors recently. The famed international
sculptors came to Tambdi Surla, beckoned by Goa's popular painter Querozito de
Souza and Ravinder Bharadwaj of Shanti Niketan, for a symposium. where they
worked on variegated media.
Speaking about the rare symposium, Querozito de Souza said, "It was a very good
camp in the Goan atmosphere and pleasant weather. The sculptors even liked the
local granite which inspired them to do good work." He added, "It was a golden
opportunity for the local artists and students, particularly given the fact that
we don't have any worthy sculptor in Goa and sculpture finds no place in the
syllabus of the Goa College of Art."
The sculptors worked on variegated media at Tambdi
Surla. German Harald Thomas, back in Goa after a lapse of 30 years, sculpted to
glory on riverine stones. Harald's chiesel
combines sculpture as a natural performance of growth, as in the case of the
nine river-stones, which he set in threes. Placing a slab on top, he drilled a
hole to allow a bamboo shoot to emerge through it.
Michael Zwingmann, a sculptor-teacher from Germany,
took on asphalt and steel, with which he wrought his exquisite piece. Zwingman
year-long stint at Shanti Niketan and realised that sculpture of Indian artists
has a bearing on social realities.
A profusion of thought patterns, talent, media and style turned the
international symposium into a rather complex and intricate sculpting affair,
and a thought-provoking experience utterly delightful to the eye.
Wilfried Behre, also from Germany, voyaged on a
'Global Stoneline'. He chieselled the eye out
of a granite block "to enable this stone to watch the earth".
Sukhjeet Singh from Jammu and Kashmir, who bagged
the National Award 2001 of the Lalit Kala Academy, worked on a combo of wood and
stone. Ravinder
Bharadwaj has been in art direction, murals,
portraits, wax and bronze sculpture, photography and the like.
Matsumina Teuyasa, who teaches sculpture at a
university in Japan, was getting to the concept of zero, an Indian discovery.
Matsumina equated an egg with a zero. Another Japanese sculptur Mianchi Hiroshi
believed that India should prefer their native thing and that every area
should retain its own culture even while learning about the western influence.
Ravinder Bharadwaj said that his "sculpture is thin
from the bottom and the lines burst out on the top like a flower in bloom". He
said, "The original stone should not be converted into a totally different thing
according to the western trend. The stone is a dead thing in which you breathe
life while sculpting, according to the Japanese sculptors. We always say that
our art should speak and not the artist as is done in the West."
"The concepted of the symposium, which lasted from November 30 to December 12
and attracted a steady stream of art lovers, was to create awareness of the
third form--sculpture. This is just a small start...somewhere," said
Querozito de Souza.